Cunning criminality is nothing new. But the “faithful duplicity” of some recent forgeries has stunned art experts and shaken the markets and social organizations that envelop this area of knowledge. Stories of stolen fortunes and international detective work however, can kick-start student interest as we use fake art to raise questions about real art. The TOK questions scream to be asked: What is a “real” work of art if a forgery is indistinguishable? What gives works of art their value?
Stories: truth, fakery, and stupendous fraud
When we start in TOK with a Real Life Situation (RLS) – as our course evaluation puts it – we often get the advantage of the appeal of stories. An excellent article in a recent Guardian Weekly gives us background for narration of modern fakes and provides an account of processes of authentication: The master detective.
In our contemporary context of electronic fakery of all kinds – including the “deep fakes” on which I recently blogged – it’s not surprising that the arms race between criminality and attempts at detection should escalate in the art world. Continue reading
(by Eileen Dombrowski, from 
